{"product_id":"skaitmeninis-fotoaparatas-panasonic-dc-gh7le-korpusas-su-objektyvu-juodas","title":"Skaitmeninis fotoaparatas Panasonic DC-GH7LE korpusas su objektyvu juodas","description":"\u003ch2\u003eTrumpai apie prekę\u003c\/h2\u003e\u003cp\u003ePrekė: Skaitmeninis fotoaparatas Panasonic DC-GH7LE korpusas su objektyvu juodas. Kategorija: Beveidrodiniai fotoaparatai.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGamintojas:\u003c\/strong\u003e Panasonic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModelis:\u003c\/strong\u003e DC-GH7LE\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpalva:\u003c\/strong\u003e black\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKomplektacija:\u003c\/strong\u003e body + lens\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eDC-GH7LE\u003c\/h2\u003e \u003cul\u003e \u003cli\u003e\n\u003cb\u003eInternal recording in ProRes RAW HQ\u003c\/b\u003e format\u003c\/li\u003e \u003cli\u003e\u003cb\u003e32-bit recording in floating-point technology (optional DMW-XLR2 adapter required)\u003c\/b\u003e\u003c\/li\u003e \u003cli\u003e\u003cb\u003eBSI CMOS sensor with a resolution of 25,2 megapixels\u003c\/b\u003e\u003c\/li\u003e \u003cli\u003e\u003cb\u003ePhase Hybrid AF\u003c\/b\u003e\u003c\/li\u003e \u003cli\u003e\u003cb\u003eUnlimited video recording time in 10-bit 4:2:2 C4K\/4K 60p\/50p\u003c\/b\u003e\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eMobility meets the championship.\u003c\/h2\u003e \u003cp\u003eFeaturing a 25,2MP BSI CMOS sensor with phase autofocus detection, an internal ProRes RAW HQ recording function, and the world’s first 32-bit floating-point recording technology,* the LUMIX series’ flagship hybrid camera allows you to create high-quality content without the need for time-consuming setup.\u003c\/p\u003e\u003ch2\u003eFlagship hybrid camera for professional content creation\u003c\/h2\u003e \u003cp\u003e\u003cb\u003eBetter quality of content\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eThe hybrid phase autofocus feature of the LUMIX GH7 continuously tracks objects, capturing them quickly and accurately. Dynamic Range Boost allows you to achieve a wide dynamic range in all ISO sensitivity ranges.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eEfficient workflow\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eInternal recording in ProRes RAW HQ format, recording in 32-bit floating-point technology format*, etc. It can be done in the camera body itself, allowing you to create high-quality content without the need for time-consuming setup.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eExceptional reliability\u003c\/b\u003e\u003c\/p\u003e \u003cp\u003eIt combines a compact body with a heat dissipation structure, allowing longer recording even when shooting under heavy loads (4:2:2 10-bit C4K\/4K 60p\/50p, ProRes RAW HQ).\u003c\/p\u003e\u003ch2\u003eInternal recording in ProRes RAW HQ format\u003c\/h2\u003e \u003cp\u003eThe 5,7K 30p ProRes RAW HQ can be recorded in the camera body itself, giving you the freedom to capture the moment with a single click without the need for time-consuming setup and without the need for external devices Improved gimbal compatibility also allows you to expand the range of means of expression\u003c\/p\u003e\u003ch2\u003eThe world’s first 32-bit recording using floating-point technology*\u003c\/h2\u003e \u003cp\u003eCombined with the DMW-XLR2 microphone adapter (sold separately), the LUMIX GH7 delivers the world’s first 32-bit floating-point recording*, improving the quality and performance of the entire workflow.\u003c\/p\u003e\u003ch2\u003ePhase Hybrid AF\u003c\/h2\u003e \u003cp\u003eThe most important thing about autofocus is that it is reliable. In addition to contrast autofocus, the LUMIX GH7 offers a phase-detection autofocus system that significantly improves object tracking performance and measurement technologies. The camera can capture the subject even in the most difficult scenes, in which many people participate, as well as in environments with rear lighting or dimly lit.\u003c\/p\u003e\u003ch2\u003eARRI LogC3 recording\u003c\/h2\u003e \u003cp\u003eUsing the DMW-SFU3A software update key (sold separately), users can use the ARRI LogC3* feature, which allows them to match colors with ARRI digital cinema cameras. The ARRI LogC3 curve image processing in LUMIX GH7 has been certified by ARRI for this function. Logarithmic recording options, which provide rich color information and a wide dynamic range, have been extended to include ARRI LogC3 alongside conventional V-Log, further improving the compatibility of the LUMIX workflow.\u003c\/p\u003e\u003ch2\u003eRicher tonal expression\u003c\/h2\u003e \u003cp\u003eDynamic Range Boost allows you to get two types of images with a single exposure and combines them in real time to create composed images with a rich tonal range even for scenes with significant lighting differences. For photos, it provides richer tone reproduction in shadows in RAW data. For video, it allows recording in V-Log\/V-Gamut formats with a tonal range of 13+ degrees*. It achieves a wide dynamic range in all ISO sensitivity ranges.\u003c\/p\u003e\u003ch2\u003eUnlimited video recording time in 10-bit 4:2:2 C4K\/4K 60p\/50p quality\u003c\/h2\u003e \u003cp\u003eThe GH7 is the first camera in the LUMIX series with internal recording in 10-bit 4:2:2 C4K\/4K 60p\/50p quality, which allows you to record for unlimited time*, as long as it is used at the recommended operating temperature**. It is ideal for small production teams and for working in demanding conditions when mobility and high quality are a must. It also allows simultaneous internal and external recording via HDMI output.\u003c\/p\u003e\u003ch2\u003eNative integration of the camera with the cloud using Adobe’s Frame.io platform\u003c\/h2\u003e \u003cp\u003eThe Frame.io Camera to Cloud platform enables you to automatically upload and share photos and videos, as well as back them up and work together in the cloud.\u003c\/p\u003e \u003ch2\u003eWireless\/wired live streaming\u003c\/h2\u003e \u003cp\u003eChoose your favorite streaming approach to share the latest events in real time! When used outdoors, wireless live streaming (RTMP\/RTMPS) can be easily configured using the LUMIX Sync app. Wired live streaming (RTP\/RTSP) with high stability is also available indoors.\u003c\/p\u003e\u003ch2\u003eSOLDER IN REAL TIME\u003c\/h2\u003e \u003cp\u003eLUT boards can be applied to photos and videos directly in the camera body, allowing you to create stylized photos and videos directly in the camera. Supports file formats.” VLT” and “. CUBE.” By using this feature, you can save time on the complicated final editing process. In combination with the LUMIX Lab application, you can easily create your own LUT tables and install them on your camera.\u003c\/p\u003e \u003ch2\u003eLUMIX Lab application\u003c\/h2\u003e \u003cp\u003ePair your camera with your smartphone in three steps for seamless content transfer with an ultra-fast wi-fi connection. You can also crop, adjust brightness, apply tables, etc., allowing for simple editing for any social media platform in no time.\u003c\/p\u003e \u003ch2\u003eType\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eType: Mirrorless Digital Camera\u003c\/li\u003e \u003cli\u003eLens Mount: Micro Four Thirds Mount\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eImage transducer\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eType: BSI CMOS sensor (17,3 x 13,0 mm)\u003c\/li\u003e \u003cli\u003eEffective pixel count \/ Total pixel count: About 25,2 megapixels \/ about 26,5 megapixels\u003c\/li\u003e \u003cli\u003eAnti-glare coating: Yes\u003c\/li\u003e \u003cli\u003eProportions \/ Color filter: 4:3 \/ Basic color filter\u003c\/li\u003e \u003cli\u003eDust Reducing System: Type with matrix offset\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eScope\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eMore than 13 degrees (V-Log) (the capacity of the matrix is 60 fps. \/s or less) More than 12 degrees (V-Log) (matrix capacity is 61 fps. \/s or more)\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003ePictures\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eFile format: JPEG (DCF, Exif 3.0), RAW\u003c\/li\u003e \u003cli\u003eAspect Ratio: 4:3 \/ 3:2 \/ 16:9 \/ 1:1\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eFilms\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eFile format: MOV: H.264\/MPEG-4 AVC, H.265\/HEVC, Apple ProRes, Apple ProRes RAW MP4: H.264\/MPEG-4 AVC, H.265\/HEVC\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eRecord to an external USB-SSD\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eYes (ON. \/OFF. )\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eStreaming\u003c\/h2\u003e \u003cp\u003e\u003cb\u003eWi-Fi\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eProtocol: RTMP \/ RTMPS\u003c\/li\u003e \u003cli\u003e29.97p, 6 Mb\/s \/ 3 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [HD] 1280x720: 59.94p, 6 Mb\/s (H.264) 29.97p, 4 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e25.00p, 6 Mb\/s \/ 3 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [HD] 1280x720: 50.00p, 6 Mb\/s (H.264) 25.00p, 4 Mb\/s (H.264)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eUSB Tethering\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eProtocol: RTMP \/ RTMPS\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [4K] 3840x2160: 29.97p, 12.5 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [FHD] 1920x1080: 59.94p, 16 Mb\/s \/ 8 Mb\/s (H.264) 29.97p, 6 Mb\/s \/ 3 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [HD] 1280x720: 59.94p, 6 Mb\/s (H.264) 29.97p, 4 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [4K] 3840x2160: 25.00p, 12.5 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [FHD] 1920x1080: 50.00p, 16 Mb\/s \/ 8 Mb\/s (H.264) 25.00p, 6 Mb\/s \/ 3 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [HD] 1280x720: 50.00p, 6 Mb\/s (H.264) 25.00p, 4 Mb\/s (H.264)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eWired LAN Connection\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eProtocol: RTP\/RTSP\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [4K] 3840x2160: 59.94p, 50 Mb\/s \/ 25 Mb\/s (H.265)* 59.94p, 50 Mb\/s \/ 25 Mb\/s (H.264)* 29.97p, 25 Mb\/s \/ 12.5 Mb\/s (H.265) 29.97p, 25 Mb\/s \/ 12.5 Mb\/s (H.264) *When the video image area is set to PIXEL\/PIXEL.\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [FHD] 1920x1080: 59.94p, 20 Mb\/s \/ 16 Mb\/s (H.265) 59.94p, 16 Mb\/s \/ 8 Mb\/s (H.264) 29.97p, 12 Mb\/s \/ 6 Mb\/s (H.265) 29.97p, 6 Mb\/s \/ 3 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e59.94Hz \/ [HD] 1280x720: 59.94p, 6 Mb\/s (H.264) 29.97p, 4 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [4K] 3840x2160: 50.00p, 50 Mb\/s \/ 25 Mb\/s (H.265)* 50.00p, 50 Mb\/s \/ 25 Mb\/s (H.264)* 25.00p, 25 Mb\/s \/ 12.5 Mb\/s (H.265) 25.00p, 25 Mb\/s \/ 12.5 Mb\/s (H.264) *When the video image area is set to PIXEL\/PIXEL.\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [FHD] 1920x1080: 50.00p, 20 Mb\/s \/ 16 Mb\/s (H.265) 50.00p, 16 Mb\/s \/ 8 Mb\/s (H.264) 25.00p, 12 Mb\/s \/ 6 Mb\/s (H.265) 25.00p, 6 Mb\/s \/ 3 Mb\/s (H.264)\u003c\/li\u003e \u003cli\u003e50.00Hz \/ [HD] 1280x720: 50.00p, 6 Mb\/s (H.264) 25.00p, 4 Mb\/s (H.264)\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eViewfinder\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eType: OLED Live View Finder\u003c\/li\u003e \u003cli\u003ePixels: Approx. 3.68 million dots\u003c\/li\u003e \u003cli\u003eField of View \/ Magnification: Approx. 100% \/ Approx. 1.6x \/ 0.8x (35mm camera equivalent) with 50mm lens at infinity; -1.0 m-1 when aspect ratio is set to 4:3\u003c\/li\u003e \u003cli\u003eViewing Distance \/ Diopter Adjustment: Approx. 21mm at infinity; -1.0 m-1 \/ -4.0 – +2.0 (dpt)\u003c\/li\u003e \u003cli\u003eEye Sensor: Yes\u003c\/li\u003e \u003cli\u003eDisplay Speed: 120 fps \/ 60 fps\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eRear Display\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eType: Static Touchscreen TFT LCD Display\u003c\/li\u003e \u003cli\u003eMonitor Size: Free-angle 3.0-inch (7.6 cm) display, 3:2 aspect ratio\u003c\/li\u003e \u003cli\u003ePixels: Approx. 1.84 million dots\u003c\/li\u003e \u003cli\u003eField of View: Approx. 100%\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eFocus (4)\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eType: Phase Detection AF System \/ Contrast Detection AF System\u003c\/li\u003e \u003cli\u003eDFD Technology: Yes\u003c\/li\u003e \u003cli\u003eFocus Mode: AFS (Single) \/ AFC (Continuous) \/ MF\u003c\/li\u003e \u003cli\u003eAF Mode: Tracking \/ Full Area AF \/ Zone (Vertical\/Horizontal) \/ Zone \/ 1-Area+ \/ 1-Area \/ Pinpoint * Auto detection can be enabled to switch between Human \/ Animal \/ Car \/ Motorcycle \/ Train \/ Airplane modes. Excludes when Pinpoint is enabled.\u003c\/li\u003e \u003cli\u003eAF Detection Range: EV -4 - 18 (F2.0, ISO100 equivalent, AFS)\u003c\/li\u003e \u003cli\u003eCustom AF Setting: AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction\u003c\/li\u003e \u003cli\u003eAF Assist Lamp: Yes\u003c\/li\u003e \u003cli\u003eAF Lock: Set custom menu Fn button to AF Lock\u003c\/li\u003e \u003cli\u003eFocus Ring Control: Non-linear\/Linear* (90°\/120°\/150°\/180°\/210°\/240°\/270°\/300°\/330°\/360°\/720°\/1080°\/Maximum) * When a compatible lens is attached.\u003c\/li\u003e \u003cli\u003eOther: AF-ON, AF-ON: Near, AF-ON: Far, Focus Limiter, Focus Peaking, 1-Area AF Area Shift Speed, AF Micro Adjustment, Continuous AF (during video recording), Focus\/Shutter Priority, Vertical\/Horizontal Focus Switching, AF\/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, AF Mode Display\/Hide, AF Point Scope, Shutter AF, Half-press shutter release, Quick AF, Eye-proximity AF, Focus loop frame, Live View Zoom (Video), Touch Shutter, Touch AF\/AE Function, Touchpad AF, Lens Focus Recovery\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eExposure control\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eLight measurement system: 1 728-zone multi-point detection system\u003c\/li\u003e \u003cli\u003eLight Measurement Mode: Multiple \/ Centrally Weighted \/ Point \/ Highlighted Weighted\u003c\/li\u003e \u003cli\u003eMeasurement range: EV 0-18 (F2,0 lens, equivalent to ISO100)\u003c\/li\u003e \u003cli\u003eMode Knob: AE Program (P) \/ AE Aperture Priority (A) \/ AE Shutter Priority (S) \/ Manual Exposure (M) \/ Creative Video (P\/A\/S\/M)* \/ Custom 1, 2, 3, 4 \/ Intelligent Automatic * The same exposure operations are available as in P\/A\/S\/M mode.\u003c\/li\u003e \u003cli\u003eExposure compensation: 1\/3 EV step ±5EV (±3EV for movies)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eISO sensitivity (standard output sensitivity)\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eImages: [Normal] Auto \/ 50 (extended ISO) \/ 100–25600[V-Log] Auto \/ 125 (extended ISO) \/ 500–12800 *Switchable between step 1\/3 or 1 EV.\u003c\/li\u003e \u003cli\u003eVideos: [Normal] The capacity of the matrix is 60 fps. \/s or less (baseline ISO 100): Auto \/ 50 (extended ISO) \/ 100–12800 The matrix capacity is 61 fps. \/s or more (base ISO 100): Auto \/ 50 (extended ISO) \/ 100–3200 \/ 4000–12800 (extended ISO)[V-Log] The capacity of the matrix is 60 fps. \/s or less (baseline ISO 500): Auto \/ 125 – 400 (extended ISO) \/ 500 – 12800 The matrix capacity is 61 fps. \/s or more (baseline ISO 250): Auto \/ 125–200 (extended ISO) \/ 250–3200 \/ 4000–12800 (extended ISO) [Hybrid Log Gamma] Matrix capacity is 60 fps. \/s or less (base ISO 250): Auto \/ 250–12800 The capacity of the matrix is 61 fps. \/s or more (baseline ISO 250): Auto \/ 250 – 3200 \/ 4000 – 12800 (extended ISO) * Ability to switch between step 1\/3 or 1 EV.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eISO Auto\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePhotos: [Normal] Minimum: 100–12800 Maximum: Auto \/ 200–25600[V-Log] Minimum: 500–6400 Maximum: Auto \/ 800–12800\u003c\/li\u003e \u003cli\u003eVideos: [Normal] Minimum: The capacity of the matrix is 60 fps. \/s or less: 100 to 6400 The capacity of the matrix is 61 fps. \/s or more: 100 to 1600 Maximum: The capacity of the matrix is 60 fps. \/s or less: Auto \/ 200 – 12800 The capacity of the matrix is 61 fps. \/s or more: Auto \/ 200-3200 \/ 6400 (extended ISO)[V-log] Minimum: Matrix capacity is 60 fps. \/s or less: 500 to 6400 The capacity of the matrix is 61 fps. \/s or more: 250 to 1600 Maximum: The capacity of the matrix is 60 fps. \/s or less: Auto \/ 800 – 12800 The capacity of the matrix is 61 fps. \/s or more: Auto \/ 400-3200 \/ 6400 (extended ISO sensitivity)\u003c\/li\u003e \u003cli\u003eSync Scan Function: Shooting and Filming\u003c\/li\u003e \u003cli\u003eAE lock: Set the Fn button in the custom menu to AE lock\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eImage stabilization system\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eB.I.S. (5 axes \/ 7,5 points*) * Based on CIPA standard [direction of deviation: focusing distance f=60 mm (equivalent to camera 35 mm: f=120 mm) for lens H-ES12060]. Dual I.S. 2 axes (7,5 points*) ** Based on CIPA standard [direction of deviation: focusing distance f=140 mm (equivalent to 35 mm camera: f=280 mm) for H-FSA14140 lens].\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eWhite balance\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eWhite balance: AWB \/ AWBc \/ AWBw \/ daylight \/ cloudy \/ shadow \/ bulb \/ flash \/ white setting 1, 2, 3, 4 \/ color temperature setting 1, 2, 3, 4\u003c\/li\u003e \u003cli\u003eWhite balance adjustment: blue\/amber staining, magenta\/green staining\u003c\/li\u003e \u003cli\u003eColor Temperature Setting: 2500 – 10000 K at 100 K\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eSnapshot\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eType: Slotted Shutter\u003c\/li\u003e \u003cli\u003eShutter speed: Images: Bulb (max. 30 minutes), 1\/8000 – 60 Electronic front curtain: Bulb (max. 30 minutes), 1\/2000 – 60 Electronic aperture: Bulb (max. 60 s), 1\/32000 – 60 Videos: 1\/25000 – 1\/25 Creative Video Mode M \/ MF Mode: 1\/25000 – 1\/8\u003c\/li\u003e \u003cli\u003eSelf-timer: 10 s, 3 images \/ 2 s \/ 10 s \/ custom time\u003c\/li\u003e \u003cli\u003eRemote Control: Remote Control by DMW-RS2 (sold separately)\u003c\/li\u003e \u003cli\u003eSilent Mode \/ Shutter Mode: Yes \/ Yes (Automatic \/ Mechanical \/ Electronic Front Curtain \/ Electronic \/ Electronic+NR)\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eBracketing\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eAE range: 3, 5, 7 photos with step 1\/3, 2\/3 or 1 EV, max. ±3 EV, single\/serial\u003c\/li\u003e \u003cli\u003eAperture Bracketing: 3, 5 or all positions\u003c\/li\u003e \u003cli\u003eFocus Bracketing: Yes\u003c\/li\u003e \u003cli\u003eWhite balance range: Three images in blue\/amber axis or magenta\/green axis, color temperature setting\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eTaking serial photos\u003c\/h2\u003e \u003cp\u003e\u003cb\u003eSpeed of continuous shooting\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eMechanical Aperture: H: 14 fps. \/s (AFS\/MF), 10 fps. \/s (AFC) (with Live View) M: 6 fps. \/s (AFS\/AFC\/MF) (with Live View) L: 2 fps. \/s (AFS\/AFC\/MF) (with Live View)\u003c\/li\u003e \u003cli\u003eElectronic front curtain: H: 14 kl. \/s (AFS\/MF), 9 class \/s (AFC) (with Live View) M: 6 fps. \/s (AFS\/AFC\/MF) (with Live View) L: 2 fps. \/s (AFS\/AFC\/MF) (with Live View)\u003c\/li\u003e \u003cli\u003eElectronic aperture: SH75: 75 fps. \/s (AFS\/MF) SH60: 60 fps. \/s (AFS\/AFC\/MF) SH20: 20 fps. \/s (AFS\/AFC\/MF) SH75 PRE: 75 fps. \/s (AFS\/MF) SH60 PRE: 60 fps. \/s (AFS\/AFC\/MF) SH20 PRE: 20 kl. \/s (AFS\/AFC\/MF) H: 14 fps. \/s (AFS\/MF), 9 class \/s (AFC) (with Live View) M: 6 fps. \/s (AFS\/AFC\/MF) (with Live View) L: 2 fps. \/s (AFS\/AFC\/MF) (with Live View)\u003c\/li\u003e \u003cli\u003eNumber of images recorded: H\/M\/L* RAW+JPEG: Over 170 photos**, over 165 photos*** RAW: Over 215 photos**, over 200 photos*** JPEG: Over 260 photos**, Over 250 photos***SH RAW\/RAW + JPEG: 190 JPEG photos: 190 photos*** * Until the speed of continuous shooting drops. When registering under the test conditions specified by Panasonic. ** When CFexpress Type B card is used *** When using SD card with speed class \"UHS-II UHS Speed Class 3 (U3)\".\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eFlash\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eFlash Type: External TTL Flash (sold separately)\u003c\/li\u003e \u003cli\u003eFlash Mode: Auto* \/ Auto\/Red-eye Reduction* \/ Forced On \/ Forced On\/Red-eye Reduction \/ Slow Sync \/ Slow Sync\/Red-eye Reduction \/ Forced Off * Only in iA mode.\u003c\/li\u003e \u003cli\u003eFlash Sync: 1st Curtain Sync, 2nd Curtain Sync\u003c\/li\u003e \u003cli\u003eFlash Power Adjustment: ±3 EV in 1\/3 EV steps\u003c\/li\u003e \u003cli\u003eSync Speed: Below 1\/250 sec.\u003c\/li\u003e \u003cli\u003eWireless Control: Yes (when using DMW-FL200L \/ FL360L \/ FL580L (optional)), Wireless Channel: 1ch\/2ch\/3ch\/4ch\u003c\/li\u003e \u003cli\u003eFlash Sync Terminal: Yes\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eCrop Zoom\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eStill \u0026amp; Video Shooting\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eColor Settings\u003c\/h2\u003e \u003cp\u003e\u003cb\u003ePhoto Styles\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003ePhoto Styles: Standard \/ Vivid \/ Natural \/ L.Classic Neo \/ Flat \/ Landscape \/ Portrait \/ Monochrome \/ L.Monochrome \/ L.Monochrome D \/ L.Monochrome S \/ LEICA Monochrome \/ Cinelike D2 \/ Cinelike V2 \/ Like709 \/ V-Log \/ REAL TIME LUT \/ Hybrid Log Gamma \/ My Photo Style 1-4 (5-10)* * Set to ON in Show\/Hide Photo Style to select.\u003c\/li\u003e \u003cli\u003eImage Adjustment: Contrast \/ Highlight \/ Shadow \/ Saturation \/ Color Tone \/ Hue \/ Filter Effect \/ Grain Effect \/ Color Noise \/ Sharpness \/ Noise Reduction \/ ISO \/ WB \/ LUT *Adjustable settings vary depending on the Photo Style mode.\u003c\/li\u003e \u003cli\u003eFilter: Expressive \/ Retro \/ Old Days \/ High Key \/ Low Key \/ Sepia \/ Cross Process \/ Bleach Bypass\u003c\/li\u003e \u003cli\u003eLUT Library: Supported File Types: .vlt, .cube Vlog_709 \/ Setting 1-39 (Setting 1-3: Sample LUT * Real-time LUT in Photo Style, Apply LUT in Fn Button, Apply LUT in RAW Development, LUT in View Assist Log View, LUT can be applied from these settings.\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eVideo Recording Function\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eTime Lapse Photography: Yes\u003c\/li\u003e \u003cli\u003eTime Lapse Animation: Yes\u003c\/li\u003e \u003cli\u003eSS\/Gain Mode: Shutter\/ISO \/ Angle\/ISO \/ Shutter\/dB\u003c\/li\u003e \u003cli\u003eLuminance Level: 8-bit: 0‒255 \/ 16‒235 \/ 16‒255 10-bit: 0‒1023 \/ 64‒940 \/ 64‒1023\u003c\/li\u003e \u003cli\u003eMaster Pedestal Level: 31 steps\u003c\/li\u003e \u003cli\u003eColor Bars \/ Test Signal: Yes (SMPTE \/ EBU \/ ARIB) \/ Yes\u003c\/li\u003e \u003cli\u003eLUT Preview\u003c\/li\u003e \u003cli\u003eDisplay \/ HDMI: HLG Preview: Display (MODE1 \/ MODE2 \/ OFF) \/ HDMI (AUTO \/ MODE1 \/ MODE2 \/ OFF)\u003c\/li\u003e \u003cli\u003eAnamorphic Desqueeze: 2.0x \/ 1.8x \/ 1.5x \/ 1.33x \/ 1.30x \/ OFF\u003c\/li\u003e \u003cli\u003eWaveform Monitor \/ Vectorscope: Selectable\u003c\/li\u003e \u003cli\u003eKnee Control Function: Yes (in Like709 mode)\u003c\/li\u003e \u003cli\u003eOther Functions: Red REC Frame Indicator, Blue Streaming Frame Indicator\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eInformation about horizontal position\u003c\/h2\u003e \u003cul\u003e \u003cli\u003ePhoto\/Film (ON. \/ OFF. )\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eLeveling indicator\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eYes\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eFunction button\u003c\/h2\u003e \u003cp\u003e\u003cb\u003eRecording\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eComp. Exposure \/ Sensitivity \/ White Balance \/ Photo Style \/ Apply LUT \/ Measurement Mode \/ Proportions \/ Image Quality \/ Image Size \/ Spot Measurement 1 Photo \/ Long Exposure NR\/Min. shutter speed \/ 1 photo RAW+JPG \/ i.Dynamic range \/Filter effect \/ Disposable AE \/ Touch controlled AE \/AWB lock \/ Exposure mode \/ Sync scan (video) \/AF Mode \/ AF Detection Setting \/ Object Detection \/Custom AF setting (photos) \/ Custom AF setting (video) \/Focus Limiter \/ Focus Limiter \/ Focus Peaking \/ Focus Limiter \/Focus Peaking Sensitivity \/ Focus Frame Swiping Speed \/Focus ring lock \/ AE LOCK \/AF\/AE\/AF-ON\/AF-ON LOCK:to close \/ AF-ON: to distance \/ AF point range\/ Focus zone setting \/Enlarged live display (video) \/ Flash mode \/Flash adjustment. \/ Wireless flash configuration \/ Drive mode setting \/Bracketing \/ Silent mode \/ Image stabilization \/ Shutter type \/Approximation of framing (photo) \/ Live View Composite mode \/File format \/ Video quality \/ Video quality (my list) \/Variable frame rate \/ Timecode display \/Sound Information \/ Displaying Sound Recording Level \/Mute sound source \/ Adjust sound recording level \/Sound recording quality \/ Sound recording level limitation \/4-Channel Audio Recording \/ XLR Microphone Adapter Setting \/Audio monitoring channel \/ Image stabilization \/Electronic image stabilization (video) \/ Boost I.S. (Video) \/ Video area \/ Approximation of framing \/Focus Transition \/ Live Crop \/ Live Framing Settings \/ Q.MENU \/ Recording\/Playback Switch \/ Video Recording \/Video recording (Creative Video mode) \/ LVF viewfinder switch\/display \/Knob Operation Switch \/ Preview \/ Aperture Preview \/Fixed View \/ Level Indicator \/ Histogram \/ Point Luminance Measurement \/Video Frame Tag \/ Photo Grid Lines \/ Improving Live View Quality \/Monochrome Live View \/ Night Mode \/ Display\/Live View Viewer Settings \/Display with video priority \/ Zebra pattern \/ LUT View Assist (display) \/LUT View Assist (HDMI) \/ Selecting the LUT \/ HLG View Assist table (display) \/HLG View Assist (HDMI) \/ Sheer Overlay \/ State Range I.S. \/ Range vector\/WFM \/ Anamorphic view with Desqueeze function \/Color bars \/ Focus ring control \/ Micro-adjustable AF \/Magnification control \/ Stepping magnification \/ Magnification speed \/Lens Information \/ Target Card Slot \/ Streaming \/REAL-TIME LUT TABLE \/ Wi-Fi \/ Fan mode \/Save to custom mode \/ No setting \/Disabled (disable the \"press and hold\" function) \/Restore default settings\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003ePlayback\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eZoom from AF point \/ LUT View Assist function (display) \/HLG View Assist (display) \/ Anamorphic view with Desqueeze \/RAW Machining \/ Removing Single Elements \/ Protection \/ Rating 1,2, 3, 4, 5 \/ Copying \/ Recording\/Playback Switch \/LVF viewfinder switch\/display \/ Video recording \/Video recording (Creative Video mode) \/ Night mode \/Changing the card slot \/ Audio monitoring channel (playback) \/Wi-Fi \/ Fan mode \/ Image sending (smartphone) \/LUT View Assist (HDMI) \/ HLG View Assist (HDMI) \/No setting \/ Disabled (disable the \"press and hold\" function) \/Restore default settings\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eInterface\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eUSB: USB Type-C® (USB 10 Gbps)\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eHDMI (5)\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eHDMI: HDMI Type A Audio: ON \/ OFF, MP4 2ch, MOV: 2ch (when [4ch Mic Input] is OFF), 4ch (when [4ch Mic Input] is ON.)\u003c\/li\u003e \u003cli\u003eMonitor Output: 4:2:2 10-bit (when [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit]). 4:2:2 8-bit (when [Rec Quality] is set to [4:2:0 8bit]). 4K \/120p \/ 4K \/ 100p Down-conversion: AUTO \/ C4K\/4K \/ 1080p \/ 1080i \/ OFF.\u003c\/li\u003e \u003cli\u003ePlayback: 59.94Hz: 8K\/30p* \/ C4K\/120p \/ C4K\/60p \/ C4K\/30p \/ 4K\/120p \/ 4K\/60p \/ 4K\/30p \/ 1080\/120p \/ 1080p \/ 1080i \/ 720p** \/ 480p** 50.00Hz: 8K\/25p* \/ C4K\/100p \/ C4K\/50p \/ C4K\/25p \/ 4K\/100p \/ 4K\/50p \/ 4K\/25p \/ 1080\/100p \/ 1080p \/ 1080i \/ 720p** \/ 576p** 24.00Hz: 8K\/24p* \/ C4K\/120p \/ C4K\/24p \/ 4K\/120p \/ 4K\/24p \/ 1080\/120p \/ 1080p *Still images only. ** Playback only.\u003c\/li\u003e \u003cli\u003eRemote Control Input: φ2.5mm\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eAudio\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eBuilt-in Microphone: Stereo Wind Noise Reduction: OFF \/ Standard \/ High\u003c\/li\u003e \u003cli\u003eExternal Microphone \/ External Audio Device Input: φ3.5mm for External Microphone \/ External Audio Device MIC (Plug-in Power) \/ MIC \/ LINE Wind Noise Reduction: OFF \/ Low \/ Standard \/ High * When φ3.5mm microphone is connected. Dedicated Microphone: Stereo \/ Shotgun * When DMW-MS2 (sold separately) is connected.\u003c\/li\u003e \u003cli\u003eXLR Microphone: Yes, with DMW-XLR2 (sold separately)\u003c\/li\u003e \u003cli\u003e4-Channel Microphone Input: Yes, with DMW-XLR2 (sold separately)\u003c\/li\u003e \u003cli\u003eSpeaker: Monaural\u003c\/li\u003e \u003cli\u003eHeadphone Output: φ3.5mm\u003c\/li\u003e \u003cli\u003eCard Slot: Slot 1: CFexpress Type B Memory Card Slot 2: SD Memory Card \/ SDHC Memory Card* \/ SDXC Memory Card* * Compatible with UHS-I\/UHS-II UHS Speed Class 3 for SDHC\/SDXC memory cards and UHS-II Video Speed Class 90 for SDXC memory cards.\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eTimecode input\/output socket\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eTimecode In\/Out Jack: Yes, with BNC converter cable (included)\u003c\/li\u003e \u003cli\u003eCounting: Rec Run \/ Free Run\u003c\/li\u003e \u003cli\u003eTimecode Mode: Drop Frame \/ Non-Drop Frame mode (at selected system frequency [59.94 Hz]).\u003c\/li\u003e \u003cli\u003eHDMI Timecode Output: On \/ off\u003c\/li\u003e \u003cli\u003eCall. Timecode setting: Timecode sync\/output reference time code\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eFan\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eAuto1 \/ Auto2 \/ Normal \/ Slow \/ Off* * Off can be set in iA\/P\/A\/S\/M mode.\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eLamp\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eWrite LED (front\/rear) \/ Card access LED \/ Battery indicator \/ Charging LED \/ Network connection LED\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eWireless technology\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eWi-Fi: 2.4 GHz bands (STA\/AP) (IEEE802.11b\/g\/n) 5 GHz bands (STA\/AP) (IEEE802.11a\/n\/ac) Security: WPA\/WPA2\/WPA3\u003c\/li\u003e \u003cli\u003eBluetooth: Bluetooth® 5.0 (Bluetooth Low Energy (BLE))\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eProtection against dust and splashes\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eYes * Dust and splash resistance does not guarantee that damage will not occur if the camera is exposed to direct contact with dust and water.\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003ePower\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eBatteries: Lithium-ion battery (7.2V, 2200mAh, 16Wh) (included) USB power supply, USB charging, USB Power Delivery\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eBattery life (CIPA standard)\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWhen using a CFexpress memory card: Approx. 330 shots, 750 shots (LVF in Power Save Mode*) with H-ES12060 lens \/ DMW-BLK22 battery Approx. 350 shots, 800 shots (LVF in Power Save Mode*) with H-FS12060 lens \/ DMW-BLK22 battery * When using a Nextorage CFexpress Type B memory card. Under Panasonic test conditions based on CIPA standard. When the sleep mode transition time is set to 1 second.\u003c\/li\u003e \u003cli\u003eWhen using an SD memory card: Approx. 360 shots, 850 shots (Live Viewfinder in Power Save mode*) with H-ES12060 lens \/ DMW-BLK22 battery pack Approx. 380 shots, 900 shots (Live Viewfinder in Power Save mode*) with H-FS12060 lens \/ DMW-BLK22 battery pack * When using a Nextorage SDXC memory card. Under test conditions specified by Panasonic in accordance with CIPA standard. When the sleep mode transition time is set to 1 second.\u003c\/li\u003e \u003cli\u003eWhen using an external USB-SSD: Approx. 280 shots with H-ES12060 lens \/ DMW-BLK22 battery Approx. 290 shots with H-FS12060 lens \/ DMW-BLK22 battery * When using a Samsung external SSD (T9_2TB). Under test conditions specified by Panasonic in accordance with CIPA standard.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eContinuous recording time (videos) (¹)\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWhen using a CFexpress memory card: MP4 [4K\/60p]: Approx. 90 min with H-ES12060 \/ H-FS12060 MP4 [FHD\/60p]: Approx. 100 min with H-ES12060 \/ H-FS12060\u003c\/li\u003e \u003cli\u003eWhen using an SD memory card: MP4 [4K\/60p]: Approx. 90 min with H-ES12060 \/ H-FS12060 MP4 [FHD\/60p]: Approx. 100 min with H-ES12060 \/ H-FS12060\u003c\/li\u003e \u003cli\u003eWhen using an external USB-SSD: MP4 [4K\/60p]: Approx. 80 min with H-ES12060 \/ H-FS12060 MP4 [FHD\/60p]: Approx. 90 min with H-ES12060 \/ H-FS12060\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eActual recording time (videos) (¹)\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eWhen using a CFexpress memory card: MP4 [4K\/60p]: Approx. 45 min with H-ES12060 \/ H-FS12060 MP4 [FHD\/60p]: Approx. 50 min with H-ES12060 \/ H-FS12060\u003c\/li\u003e \u003cli\u003eWhen using an SD memory card: MP4 [4K\/60p]: Approx. 45 min with H-ES12060 \/ H-FS12060 MP4 [FHD\/60p]: Approx. 50 min with H-ES12060 \/ H-FS12060\u003c\/li\u003e \u003cli\u003eWhen using an external USB-SSD: MP4 [4K\/60p]: Approx. 40 min with H-ES12060 \/ H-FS12060 MP4 [FHD\/60p]: Approx. 45 min with H-ES12060 \/ H-FS12060\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eDimensions and weight\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eDimensions (width x height x depth ): Approx. 138.4 x 100.3 x 99.6 mm (body only, excluding protrusions) Approx. 138.4 x 100.3 x 142.0 mm (with H-FS12060 lens, excluding protrusions) Approx. 138.4 x 100.3 x 157.0 mm (with H-ES12060 lens, excluding protrusions)\u003c\/li\u003e \u003cli\u003eWeight: Approx. 805 g (body, hot shoe cover, battery, SD memory card x 1) (excluding body lens cap) Approx. 721 g (body, hot shoe cover) (excluding body lens cap)\u003c\/li\u003e \u003c\/ul\u003e \u003ch2\u003eWork environment\u003c\/h2\u003e \u003cul\u003e \u003cli\u003eOperating temperature: From -10℃ to 40℃\u003c\/li\u003e \u003cli\u003eOperating Humidity: Relative humidity 10% to 80％\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003e\u003cb\u003eSoftware\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eRecording: LUMIX Lab \/ LUMIX Sync ･ This software is used to control a Panasonic digital camera using a smartphone. Visit the website below to download and install the software. It allows you to change various camera settings, perform remote recording, and save remotely captured photos to your computer. Visit the website below to download and install the software.\u003c\/li\u003e \u003cli\u003ePlayback\/Editing: Software for processing RAW files on a computer is not included with the camera. The SILKYPIX Developer Studio software required for this can be downloaded from the Adawaa website using a computer connected to the Internet.\u003c\/li\u003e \u003cli\u003eStandard Accessories: DC-GH7 Kit Battery pack, Battery charger, BNC conversion cable, Shoulder strap, Body cap, Eyecup, Hot shoe cover, Flash socket coverDC-GH7L Kit \/ DC-GH7M Kit Battery pack, Battery charger, BNC conversion cable, Shoulder strap, Body cap, Eyecup, Hot shoe cover, Flash socket cover, Lens cap, Lens cap, Rear lens cap ･The Operating Instructions for advanced features can be downloaded from the Panasonic LUMIX Support Site using a PC, smartphone or tablet connected to the internet.\u003c\/li\u003e \u003c\/ul\u003e\u003ch2\u003eNotes\u003c\/h2\u003e \u003cp\u003e(*1) For Video Recording — The cards that can be used for recording vary depending on the video bit rate and format. Videos with a bit rate of 72 Mb\/s or less: CFexpress Memory Card, SD Memory Card of Class 10 or Video Speed Class 10 or higher Videos with a bit rate of 200 Mb\/s or less: CFexpress Memory Card, SD Memory Card of UHS-I \/ UHS-II standard UHS Speed Class 3 (U3) or Video Speed Class 30 or higher Videos with a bit rate of 400 Mb\/s or less: CFexpress Memory Card, SD Memory Card of Video Speed Class 60 or higher Videos with a bit rate of 600 Mb\/s or less: CFexpress Memory Card, SD Memory Card of Video Speed Class 90 Videos with a bit rate of 800 Mb\/s or higher, variable frame rate with ALL-Intra compression or Apple ProRes: CFexpress Memory Card — If the continuous recording time exceeds the following, a new file will be created to continue recording. Videos with a bit rate of less than 72 Mb\/s: 30 minutes Videos with a bit rate of 72 Mb\/s or higher: 3 hours 4 minutes — If the file size exceeds the following, a new file will be created to continue recording. [MP4] at [FHD] resolution: 4 GB [MP4] at [4K] resolution: 96 GB [MOV] with a bit rate of 600 Mb\/s or less: 192 GB [MOV] with a bit rate of 800 Mb\/s: 640 GB [ProRes] at [5.7K] resolution: 640 GB — If the resolution is higher than C4K, the frame rate exceeds 60p, or ProRes format is set, the camera may stop recording to protect its components. Please wait for the camera to cool down. (*2) Hybrid Log Gamma can be selected in [4:2:2 10-bit] or [4:2:0 10-bit] mode. (*3) High-resolution audio is available only when using a φ3.5mm microphone or the DMW-XLR2 adapter (sold separately). (*4) AF Information — Auto detection is not available when recording video at high frame rates above 60p. — Tracking and Auto detection functions are not available when using an HDMI cable or USB connection cable to record video at high frame rates above 60p. 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